"The turtle -- along with a few other Cuora species -- was once imported into China by the pet trade." in Paragraph 1 means （）

A．the turtle is a wonderful animal in Chinese history
B．it is a logical result that Chinese people treat turtles as pets
C．long time ago, the turtle and some other Cuora species were brought into China as pets
D．turtle is a delicate food treated by Chinese like a wonder

Ever since it was claimed that a medicine made from the Chinese three-striped box turtle could cure cancer, demand for the product has increased, the turtle the most expensive to be found in China’s food markets. Huge sums of money have been made selling the medicine. The turtle -- along with a few other Cuora species -- was once imported into China by the pet trade.

Exporters obtained the specimens in the food markets rather than going out to collect them in the wild. Treatment of the turtles prior to reaching the markets resulted in many of them being diseased. Packed tightly into crates, often for journeys of several weeks without food, it is little wonder that many specimens exported to western countries fared poorly when purchased as pets.

Throughout the Far East turtles and tortoises have featured in various cultures and certain religions. They have also been used for hundreds of years for food and medicine. Traditional Chinese medicine is probably the greatest threat to the three-striped box and to the thousands of other turtles that are imported yearly into China. Turtles are well known for their longevity, which it is thought will be passed on to those eating them. Turtle blood, bones and shells -- particularly the plastron (ventral part of the shell) -- are thought to have medicinal properties and be able to cure a number of ailments. Turtle eggs are also used for food and medicine. The medicinal value of the turtles is open to question, and it is possible that herbs could produce the same effects. Any beneficial substances from the turtles could also be synthesized chemically, so as to pr the killing of turtles.

The southern part of China has become more prosperous in recent years, and the demand for turtles has increased dramatically. Turtle dishes are served in restaurants and regarded as an expensive delicacy, even a status symbol.

As turtle supplies in China dwindled, traders started importing the animals from Vietnam. As a result, many Vietnamese turtles have now disappeared from their haunts in the wild. To satisfy growing demand, importers have now turned to sources farther afield, including Cambodia, Laos, Nepal, India, Bhutan and Indonesia.

Since biologists started studying turtles in Chinese food markets, several previously unknown and extremely rare species have been found; some are on Appendix I of CITES. At the present rate of collection such specimens, and even species not yet discovered, could soon be extinct. The three-striped box turtle is simply one among dozens of other species flooding into China, but its high value makes it a special target for collectors.

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【单选题】在本节中，你将听到15个对话，每个对话有一个问题，请从 [A]、[B]、[C]三个选项中选出答案，并标在试卷的相应位置。每段对话后有15秒钟的停顿，以便回答问题和阅读下一问题。每段对话读两遍。下面，请听这些对话： What will the son have to do first

Finish his homework.

Go to bed.

Go to the park.

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【单选题】The word "impalpable" (in Paragraph 1 ) means （） A．imperceptible B．unlearnable C．untouchable D．discernable

It is simple enough to say that since books have classes -- fiction, biography, poetry -- we should separate them and take from each what it is right and what should give us. Yet few people ask from books what can give us. Most commonly we come to books with blurred and divided minds, asking of fiction that it shall be true, of poetry that it shall be false, of biography that it shall be flattering, of history that it shall enforce our own prejudices. If we could banish all such preconception when we read, that would be an admirable beginning. Do not dictate to your author; try to become him. Be his fellow-worker and accomplice. If you hang back, and reserve and criticize at first, you are preventing yourself from getting the fullest possible value from what you read. But if you open your mind as widely as possible, then signs and hints of almost imperceptible fineness, from the twist and turn of the first sentences, will bring you into the presence of a human being unlike any other. Steep yourself in this, acquaint yourself with this, and soon you will find that your author is giving you, or attempting to give you, something far more definite. The 32 chapters of a novel -- if we consider how to read a novel first -- are an attempt to make something as formed and controlled as a building: but words are more impalpable than bricks; reading is a longer and more complicated process than seeing. Perhaps the quickest way to understand the elements of what a novelist is doing is not to read, but to write; to make your own experiment with the dangers and difficulties of words. Recall, then, some event that has left a distinct impression on you -- how at the comer of the street, perhaps, you passed two people talking. A tree shock; an electric light danced; the tone of the talk was comic, but also tragic; a whole vision, an entire conception, seemed contained in that moment.

But when you attempt to reconstruct it in words, you will find that it breaks into a thousand conflicting impressions. Some must be subdued; others emphasized; in the process you will lose, probably, all grasp upon the emotion itself. Then turn from your blurred and littered pages to the opening pages of some great novelist -- Defoe, Jane Austen, Hardy. Now you will be better able to appreciate their mastery. It is not merely that we are in the presence of a different person -- Defoe, Jane Austen, or Thomas Hardy -- but that we are living in a different world. Here, in Robinson Crusoe, we are trudging a plain high road; one thing happens after another; the fact and the order of the fact is enough. But if the open air and adventure mean everything to Defoe, they mean nothing to Jane Austen. Here is the drawing-room, and people talking, and by the many mirrors of their talk revealing their characters. And if, when we have accustomed ourselves to the drawing-room and its reflections, we turn to Hardy, we are once more spun around. The moors are round us and the stars are above our heads. The other side of the mind is now exposed -- the dark side that comes uppermost in solitude, not the light side that shows in company. Our relations are not towards people, but towards Nature and destiny. Yet different as these worlds are, each is consistent with itself. The maker of each is careful to observe the laws of his own perspective, and however great a strain they may put upon, they will never confuse us, as lesser writers so frequently do, by introducing two different kinds of reality into the same book. Thus to go from one great novelist to another -- from Jane Austen to Hardy, from Peacock to Trollope, from Scott to Meredith -- is to be wrenched and uprooted; to be thrown this way and then that. To read a novel is a difficult and complex art. You must be capable not only of great fineness of perception, but of great boldness of imagination if you are going to make use of all that the novelist -- the great artist -- gives you.

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